
There are two types of architecture specifically that give ideas of how art, style, and modernism influenced the major industries of 1990; exterior architecture designs and interior architecture designs.
Exterior architecture in the broadest terms can be defined as the structural design and style of largely recognizable, significant buildings. In 1990, the exterior architecture designs all seemed to follow a construction pattern and design, however each different building did have an individual spin on the style, mostly for differentiation among the rest. These common designs were not limited to United States architecture a

The primary design and construction of the few buildings built 1990 can be described as "towers" or "skyscrapers"; both extremely tall and linear, built in major cities and are ultimately created so the skyline of the city may be viewed from the top of the building. These skyscrapers typically occupy the tallest and largest buildings in a city, which explains the materialistic and need-for-more attitude of

Interior Architecture contributed to the art, design and color aspect of 1990. Many apparel designers would look to art and designs of interior architecture for ideas, using the influence of the room's bright color selection and linear lines through staircases, high ceilings, decorations, etc. Womens apparel was close to the body, linear looking through patterns and print, and brilliantly colorful.
Some of the most influential interior architects that debuted their art in 1990 includes:
- Robert Bray
- Maria Bergson
- Stanley Tigerman
- Thomas Britt
- Louis M.S. Beal
- As well as others
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